My work explores the quiet tension between memory and impermanence. I paint from moments and dreams: some vivid, some hazy: moments that live in the space between memory and waking life. Time, in all its fleeting complexity, is a central element in my practice. It distorts, softens, and sometimes sharpens the way we recall a scene or feeling, and I aim to reflect that ephemeral quality in my artwork. I am drawn to the unfinished aesthetic, the ability to let the process remain visible. The incomplete becomes a metaphor for memory itself: slippery, partial, and profoundly personal. I want my art to reflect the shifting nature of time and recollection, inviting viewers into a dreamlike space where feeling takes precedence over realism. My artwork is not about accuracy, but rather the emotional residue of lived experience. Ultimately, my practice is an attempt to honor the fragile beauty of memory: how it slips, transforms, and endures. By embracing incompleteness and leaning into a sophisticated color palette, gesture, and atmosphere, I hope my work offers viewers a space to recognize their own shifting recollections. Each piece becomes an invitation to linger in the in-between, where memory and imagination blur, and the essence of experience remains. There are multiple parallels present within this body of artwork reflected in the materials, subject matter and titles. By incorporating these specific parallels in my artwork, I am able to solidify certain connections relating back to the intangibility of memories, time and even purpose.